I_S_L_A_N_D_S, Artist interview
Curator's interview
The film stills—in no particular order—are traced with carbon paper, scanned, and then Xeroxed. We don’t get to see the pages of the traditional bound book that holds these drawings. Why did you choose these particular modes of image reproduction?
Zarina Muhammad, The forking paths of memory
Path. 1, The white city curatorial essay
Through examining and questioning personal ideas of home and the seeming intangibility of memory, rootedness, foreignness, displacement and alienation, the work, as described by the artist, is essentially about the “artist drawing a map of the city as he moves through it”.