Something Human, Artist interview
Curator's interview for live art Path. 8, Invisible Cities 。云海游 at the 57th Venice Biennale
A ‘sail carriage’ is oxymoronic—maritime without being on water...I made the ‘sail carriage’ to connect my embodied interiorities—memories, culture and politics of a Southeast Asian Chinese artist—to the multicultural context of the Diaspora Pavilion that is set within a broader international and Eurocentric contexts of the Venice Biennale.
I_S_L_A_N_D_S, Artist interview
The film stills—in no particular order—are traced with carbon paper, scanned, and then Xeroxed. We don’t get to see the pages of the traditional bound book that holds these drawings. Why did you choose these particular modes of image reproduction?