Boedi Widjaja

Path. 1, 2, 3, 4, 5, 6, 7, 8, 9
(2012 - 2018)

Path. speaks to migratory notions of belonging, physical movement and isolation. The first nine chapters fold Live Art strategies into wide-ranging artistic outcomes that include drawings, photographs, spatial installations, video and sound performances.

Path. 10, 11, 12, 13, 14
(2019 - ongoing)

While continuing to investigate diasporic concerns of house, home and homeland, the series engages with invisible material, including the bio-molecular DNA code and cosmic ray muons.
Go to projects

Path. 8, Invisible Cities 。 云海游
2017. Live art. 57th Venice Biennale, International Curators Forum Diaspora Pavilion, Map1: Waterways. Curated by Something Human. Supported by the Singapore International Foundation and Canon.
Path. 1, 2, 3, 4, 5, 6, 7, 8, 9
Path. 1, The White City

2012. Solo exhibition at The Substation, Singapore curated by Zarina Muhammad. Visual Arts Open Call Commission.

Path. 2, Travelling Body

2012. Part of solo exhibition Sungai, Sejarah. Performed at YRAC-S base, Gillman Barracks, Singapore.

Path. 3, The Lode in my Heart

2013. Group exhibition. Performed at Teban Gardens, Singapore.

Path. 4, Changi vs Changi

2013. Group exhibition. Performed at The Lorong 24A Shophouse Series, Singapore.

Path. 5, Silent Conversation with a Friend

2014. Part of solo exhibition Drawing Cage at The U Factory, Gillman Barracks, Singapore.

Path. 6, Unpacking my library。书城

2014. Solo exhibition at Jendela (Visual Arts Space), The Esplanade, Singapore.

Path. 7, New Ground

2015. Commissioned for live art festival From East to the Barbican for the Barbican's Interfaces program. Curated by Something Human. Supported by Town Hall Hotel and the Singapore International Foundation.

Path. 8, Invisible Cities 。 云海游

2017. 57th Venice Biennale, International Curators Forum Diaspora Pavilion, Map1: Waterways. Curated by Something Human. Supported by the Singapore International Foundation and Canon.

Path. 9, ))) ) ) ))

2018. Live art. Commissioned by the Asian Film Archive, State of Motion: Sejarah-ku, curated by Kamiliah Bahdar.

Path. 12, River Origin 浪淘沙
2021. Moving image, performance for the camera commissioned by BIO:ART SEA:T (Southeast Asia: Taiwan) and curated by Tang Fu Kuen. Supported by the National Arts Council Creation Grant and Exactly Foundation.
Path. 11, Blindness
2022. Experimental photography of the cosmic ray particle muons commissioned by the Exactly Foundation.
Path. 10, 11, 12, 13, 14
Path. 10, A Tree Talks, A Tree Walks 梧桐语・菩提径

2019. Commissioned by the Temenggong Artists-in-Residence, Singapore for Longings, 寄望, jiwa curated by Yueh-Siang Chang; and supported by the National Museum of Singapore. In consultation with geneticist Assoc. Prof Dr. Eric Yap, Lee Kong Chian School of Medicine.

Path. 12, River Origin 浪淘沙

2021. Moving image: 7 min 11 sec. Commissioned by BIO:ART SEA:T (Southeast Asia Taiwan) curated by Tang Fu Kuen and partly supported by the National Arts Council (Singapore) Creation Grant and Exactly Foundation.

Path. 11, Blindness

2022. Commissioned by the Exactly Foundation.

Path. 13, Quaver Cipher

2023. Moving image: 19min 54sec. Supported by the National Arts Council Creation Grant.

Path. 14, The River Flows Two Ways

2023. Site-responsive project for the Thailand Biennale: Open World, Chiang Rai.