Path. 8, Invisible Cities 。 云海游
2017. Live art. 57th Venice Biennale, International Curators Forum Diaspora Pavilion, Map1: Waterways. Curated by Something Human. Supported by the Singapore International Foundation and Canon.
Path. speaks to migratory notions of belonging, physical movement and isolation. The first nine chapters fold Live Art strategies into wide-ranging artistic outcomes that include drawings, photographs, spatial installations, video and sound performances.
While continuing to investigate diasporic concerns of house, home and homeland, the series engages with invisible material, including the bio-molecular DNA code and cosmic ray muons.
Go to projects
Path. 1, The White City2012. Solo exhibition at The Substation, Singapore curated by Zarina Muhammad. Visual Arts Open Call Commission.
Path. 2, Travelling Body2012. Part of solo exhibition Sungai, Sejarah. Performed at YRAC-S base, Gillman Barracks, Singapore.
Path. 4, Changi vs Changi2013. Group exhibition. Performed at The Lorong 24A Shophouse Series, Singapore.
Path. 5, Silent Conversation with a Friend2014. Part of solo exhibition Drawing Cage at The U Factory, Gillman Barracks, Singapore.
Path. 6, Unpacking my library。书城2014. Solo exhibition at Jendela (Visual Arts Space), The Esplanade, Singapore.
Path. 7, New Ground2015. Commissioned for live art festival From East to the Barbican for the Barbican's Interfaces program. Curated by Something Human. Supported by Town Hall Hotel and the Singapore International Foundation.
Path. 8, Invisible Cities 。 云海游2017. 57th Venice Biennale, International Curators Forum Diaspora Pavilion, Map1: Waterways. Curated by Something Human. Supported by the Singapore International Foundation and Canon.
Path. 9, ))) ) ) ))2018. Live art. Commissioned by the Asian Film Archive, State of Motion: Sejarah-ku, curated by Kamiliah Bahdar.
Path. 12, River Origin 浪淘沙2021. Moving image: 7min 10sec. Commissioned by BIO:ART SEA:T (Southeast Asia Taiwan) curated by Tang Fu Kuen and partly supported by the National Arts Council Creation Grant and Exactly Foundation.
Path. 11, Blindness2022. Archival print on photographic paper, variable dimensions. Commissioned by Exactly Foundation.
Path. 13, Quaver Cipher2023. Moving image: 19min 54sec. Supported by the National Arts Council Creation Grant.
Path. 14, The River Flows Two Ways2023. Three-channel film; outdoor installation of signal flags; DNA-infused ink frottages on silk; DNA-infused sound sculpture. Commissioned by the Thailand Biennale. Supported by the National Arts Council and ShanghART.
Path. 15, Cosmic Strangers2025. Site-responsive installation, Orchard MRT station (TEL) Exit 10. Photographs; collage: 19m x 1.4m; sculpture: stainless steel, meteorite, electronic sensors, 1m x 0.4m x 1.2m; augmented reality. Supported by the National Arts Council, the Land Transport Authority and SMRT Trains.
